Richard Frooman, artist

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"Slices of the Earth"

These paintings are about some of the earth's formations -- hills, mounds, rocks, strata, organic and inorganic matter.  The paintings are emotional responses to visual sensations that occur from the result of erosion and the quality of light.

Translucent and transparent layers of paint are combined with charcoal drawing on carefully prepared linen canvas.  The technique is deliberately slow in an attempt to reflect the evolving process of the subject matter itself.

From the prehistoric past, forms merge mysteriously with the present in visually sensual and tactile ways.

(click on any picture to see it larger)

Canyon Walls and Beyond (oil, 26" x 42")

White Strata with Hill and a Half (oil, 30" x 52")

Blue Mesa (oil, 12" x 24")

Streaking White Strata (oil, 30" x 52")

The painting, Voluminous Hill and White Strata, exemplifies the sensual and tactile quality I speak of.  Here is a rocky hillside combined with organic matter and the featured white strata, which moves rhythmically and mysteriously through the composition.  As I was working on this painting (and others in the series), I recalled previous paintings of mine that focused on the female nude, and I began to view much of this landscape subject matter as an extension of the human form.

Voluminous Hill and White Strata (oil, 30" x 52")

Despite the erosion and ever changing appearance of the earth's surface, there remains a sense of permanence as seen in  Blue Mesa with Light, Floating Cloud, showing solid earth formations with various dark shades of blue, black and umber in sharp contrast to the light, airy sky above,  and the elusive, floating rain cloud which passes and dissolves so quickly.

Blue Mesa and Light Floating Cloud

 

Tip of the White Strata (oil, 22" x 44")

Mounds Abound (oil, 30" x 52")

Earth Formed Fortress (oil)

Mound in a Vertical Way

Variegated Hill (oil, 12" x 16")

Voluminous Hill (oil, 12" x 19")

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